Because without the shame, you won’t learn.
My mother was right about you
But you said you’d write my draft for me! I think I remember you saying that. I’m pretty sure.
Think real hard about what you’re saying.
Like really consider the consequences.
Is this what you want? Because if so, I can pencil you in after I get this pricing survey wrapped up.
Ok, maybe this belongs in confession thread and I’m sorry about it. But I really do not like Tennessee Williams.
I’m sorry.
Bring it.
Working title: Psychosexual Deconstuctionism in ALF as an Exploration of Irish Literature in a Post Scarcity Society

After that, I sure as ■■■■ don’t either.
The problem is that a lot of “famous” works tend to dominate the dramatic/poetry sides of things. Our state had a rule that once a piece won (fuck you phonetic typos) or placed or some dumb ■■■■, then it couldn’t be used the following year, presumably to stop people from doing the same bit 4 years in a row and winning.
So basically there’s a big list of a load of big writers (particularly playwrights) that cycle in between being “legal” and “not legal”.
The Glass Menagerie had come off cooldown and because we were in duo… I swear to you, I think I saw the “climactic scene” there done by at least 8 different groups. I think we had one in each of our bracked groups at every level of competition.
So yeah.
■■■■ TW.
I had to look up “Glass Menagerie” because I’d never heard of it. Apparently, this is a Good Thing™. Anyway, the name of a bunch of the characters made me think of something @hattieinduni would probably like better - the Wingfield Letters (TV show and various stage presentations).
Very Canadian humour, of the old-school variety. If you want something a bit more slapstick, there’s always the Red Green show. And then there’s all the more fast-paced lunacy of the younger generation.



More importantly, it’s Towel Day. Time to raise a Pangalactic Gargleblaster in honour of Douglas Adams. After which, I will probably have to throw in the towel… 
